'King of the Furthest Forest' [December 2018]

'Crown for the Estranged' [December 2018]

My diptych and triptych artworks - along with my other visual, asemic, silent  and underwater poems - make use of graphic design software and coding concepts to manipulate my own photographs.

The artworks appear in my digital journals as maquettes and are first draft sketches of poems and sequences I want to write, or ones I am already writing/can't write.

In time I would like to exhibit some of these silent blocks; in the meantime I am editing and curating sets for publication.

One of the registers of deep grief and estrangement, for me, is silence.